The effects of international aid in colonial and postcolonial contexts
"This book examines the evolution of the ideas and practices of benevolence, chiefly in the context of British imperialism, from the late eighteenth century to the present. . . . The collected essays cover more than a dozen examples of practical and theoretical benevolence, from the anti-slavery movement to modern activities such as refugee asylum, opposition to female genital mutilation and restoring the wetlands in post-Saddam Iraq." —Beth Breeze, Publications Editor , Philanthropy UK Newsletter , September 2008
"A strong volume. . . . The book is accessible and will meet the needs of faculty who teach on empire, colonialism, philanthropy, charity, and related subjects." —Steven Heydemann, Georgetown University
"[This book] will prove of interest to many students and scholars of British imperialism who will welcome this impressive work that reinterprets the complexities of the imperial past and sheds light on the present legacies." —Dr Andrew Diniejko, Warsaw University, Poland, Victorian Web , Jan. 2010
In the name of benevolence, philanthropy, and humanitarian aid, individuals, groups, and nations have sought to assist others and to redress forms of suffering and deprivation. Yet the inherent imbalances of power between the giver and the recipient of this benevolence have called into question the motives and rationale for such assistance. This volume examines the evolution of the ideas and practices of benevolence, chiefly in the context of British imperialism, from the late 18th century to the present. The authors consider more than a dozen examples of practical and theoretical benevolence from the anti-slavery movement of the late 18th century to such modern activities as refugee asylum in Europe, opposition to female genital mutilation in Africa, fundraising for charities, and restoring the wetlands in southern, post-Saddam Iraq.
Helen Gilbert is Professor of Theatre at Royal Holloway, University of London. She is author of Sightlines: Race, Gender, and Nation in Contemporary Australian Theatre and Post-Colonial Drama: Theory, Practice, Politics.
Chris Tiffin teaches in the School of English, Media Studies, and Art History at the University of Queensland and is editor of De-Scribing Empire, South Pacific Images, and South Pacific Stories.
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Distribution: World
Publication date: 2/18/2008
