Music and the Early Modern Imagination

Music and the Early Modern Imagination invites the work of scholars interested in interdisciplinary approaches to early modern music - broadly defined as ranging from the 14th through the early 18th centuries. The series emphasizes studies that center on highly specific topics - single works or their equivalent, important concepts, single events, or important texts in music history - and considers them from a broad spectrum of approaches, from cultural history to specific critical modes like gender, politics, sexuality, patronage, subjectivity, voice, and a variety of literary approaches. Inquiries and submissions may be sent to series editor Massimo Ossi (mossi@indiana.edu) and Acquisitions Editor Janice Frisch (frischj@indiana.edu).

Massimo Ossi, editor
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Cover

Beyond Boundaries

Rethinking Music Circulation in Early Modern England

Edited by Linda Phyllis Austern, Candace Bailey, and Amanda Eubanks Winkler

Paperback  $35.00  $21.00 
Cover

Mary, Music, and Meditation

Sacred Conversations in Post-Tridentine Milan

Christine Getz

cloth  $45.00  $27.00 
Cover

Music and the Language of Love

Seventeenth-Century French Airs

Catherine Gordon-Seifert

cloth  $44.95  $26.97 
Cover

Singing Games in Early Modern Italy

The Music Books of Orazio Vecchi

Paul Schleuse

cloth  $50.00  $30.00 
Cover

Singing Jeremiah

Music and Meaning in Holy Week

Robert L. Kendrick

cloth  $50.00  $30.00 
Cover

Tonal Space in the Music of Antonio Vivaldi

Bella Brover-Lubovsky

cloth  $44.95  $26.97