Journal of Modern Literature Volume 27 Numbers 1 & 2Special Double Issue: Modern Poets Number 3 Writing Life/Writing Fiction Number 4

CONTENTS Volume 27, Numbers 1 & 2Fall 2003

Special Double Issue: Modern Poets Jean-Michel Rabaté Editor's Introduction / v Sebastian Knowles Death by Gramophone / 1 Loretta Johnson T.S. Eliot's Bawdy Verse: Lulu, Bolo and More Ties / 14 Suman Gupta In Search of Genius: T.S. Eliot as Publisher / 26 Joanna Gill "My Sweeney, Mr. Eliot": Anne Sexton and the "Impersonal Theory of Poetry" / 36 Christopher Baker Porphyro's Rose: Keats and T.S. Eliot's "The Metaphysical Poets" / 57 Ronald Schuchard Did Eliot know Hulme? Final Answer / 63 * * * David Sanders Frost's North of Boston, Its Language, and Its People / 70 Feng Lan Ezra Pound/Ming Mao: A Liberal Disciple of Confucius / 79 Massimo Bacigalupo America in Ezra Pound's Posthumous Cantos / 90 Janine Utell Virtue in Scraps, Mysterium in Fragments: Robert Graves, Hugh Kenner, and Ezra Pound / 99

* * * Ann Mikkelsen "Fat! Fat! Fat! Fat!": Wallace Stevens's Figurations of Masculinity / 105 Lisa Goldfarb "Pure Rhetoric of a Language without Words": Stevens's Musical Creation of Belief in "Credences of Summer" / 122 J.S. Ellis Elizabeth Bishop and the Spanish Civil War / 137 Alison Rieke "Plunder" or "Accessibility to Experience": Consumer Culture and Marianne Moore's Modernist Self-Fashioning" / 149 * * * J. Edward Mallot Not Drowning But Waving: Stevie Smith and the Language of the Lake / 171 John Gordon Being Sylvia Being Ted Being Dylan: "The Snowman on the Moor" / 188 Justin Quinn Coteries, Landscape and the Sublime in Allen Ginsberg / 193 * * * Tim Carmody Review of The Modernist Nexus / 207 Contributors / 211

CONTENTS Volume 27, Number 3Winter 2004

Writing Life/Writing Fiction Paula Marantz Cohen Editor's Introduction / v Richard B. Russell It Will Make Us Friends: Cultural Reconciliation in Tom Stoppard's Indian Ink / 1 Ira Nadel Writing the Life of Tom Stoppard / 19 Karen A. Hoffmann "Am I no better than a eunuch?" Narrating Masculinity and Empire in Ford Madox Ford's The Good Soldier / 30 Ariela Freedman Zeppelin Fictions and the British Home Front / 47 Alistair Duckworth Two Borrowings in Pat Barker's Regeneration / 63

Brian Finney Briony's Stand Against Oblivion: The Making of Fiction in Ian McEwan's Atonement / 68 Gary Johnson Death in Venice and the Aesthetic Correlative / 83 Ranen Omer-Sherman The Desert and the Disenchanted: The Plight of the Citizen-Soldier in Amos Oz's A Perfect Peace / 97 Michele Aaron (Fill-in-the) Blank Fiction: Dennis Cooper's Cinematics and the Complicitous Reader / 115 Contributors / 128

CONTENTS Volume 27, Number 4Summer 2004

Jean-Michel Rabaté Editor's Introduction Erik Schneider Towards Ulysses: Some Unpublished Joyce Documents from Trieste Cormac Ó Grąda Lost in Little Jerusalem: Leopold Bloom and Irish Jewry Sam Slote Gillet lit le Joyce dans la Woolf: Genre in Orlando and Ulysses Kathryn Simpson Pearl-Diving: Inscriptions of Desire and Creativity in H.D. and Woolf Robin Peel The Ideological Apprenticeship of Sylvia Plath Dean DeFino Lead Birds and Falling Beams

Paul C. Grimstad Algorithm­Genre-Linguisterie: "Creative Distortion" in Count Zero and Nova Express Elizabeth Gough Vision and Division: Voyeurism in the Works of Isabel Allende Evan Horowitz Endgame: Beginning to End William Hogan Review of Shifting Ground: Reinventing Landscape in Modern American Poetry Paul Kintzele Mourning and Echolalia Note on Contributors