 | Journal of Modern Literature
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CONTENTS Volume 30, Number 1Fall 2006
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Robert Caserio Editor’s Introduction/v John Whalen-Bridge The Karma of Words: Mailer since Executioner’s Song/1 James Emmett Ryan “Insatiable as Good Old America”: Tough Guys Don’t Dance and Popular Criminality/17 Scott Duguid The Addiction of Masculinity: Tough Guys Don’t Dance and the Cultural Politics of Reaganism/23 Ashton Howley Mailer Again: Heterophobia in Tough Guys Don’t Dance/31 David Rampton Plexed Artistry: The Formal Case for Mailer’s Harlot’s Ghost/47 Jeffrey F.L. Partridge The Gospel According to the Son and Christian Belief/64 Brian McDonald Post-Holocaust Theodicy, American Imperialism, and the “very Jewish Jesus” of Norman Mailer’s The Gospel According to the Son/78 |
J. Michael Lennon Norman Mailer: Novelist, Journalist, or Historian?/91 Nils Clausson “Perpetuating the Language”: Romantic Tradition, the Genre Function, and the Origins of the Trench Lyric/104 Vike Martina Plock A Feat of Strength in “Ithaca”: Eugen Sandow and Physical Culture in Joyce’s Ulysses/129 Jon Chatlos Automobility and Lyric Poetry: Mobile Gaze in William Carlos Williams’s “Right of Way”/140 Jonathan Bolton Mid-Term Autobiography and the Second World War/155 Matt Brim Papa’s Baby: Impossible Paternity in Going to Meet the Man/173 Heather Lusty Shaping the National Voice: Poetry of WWI/199 Notes on Contributors/210 Call for Papers/213 |
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