The Eloquent Body

The Eloquent Body

Dance and Humanist Culture in Fifteenth-Century Italy
Jennifer Nevile
Distribution: World
Publication date: 10/21/2004
Format: cloth 264 pages, 18 figures, 1 bibliog., 1 index
6.125 x 9.25
ISBN: 978-0-253-34453-3
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Description

“This book adds an entirely new dimension to the consideration of Humanism and Italian culture. It will make a welcome addition to the field of cultural studies by broadening the subject to consider an important source of information that has been previously overlooked.” —Timothy McGee

The Eloquent Body offers a history and analysis of court dancing during the Renaissance, within the context of Italian Humanism. Each chapter addresses different philosophical, social, or intellectual aspects of dance during the 15th century. Some topics include issues of economic class, education, and power; relating dance treatises to the ideals of Humanism and the meaning of the arts; ideas of the body as they relate to elegance, nobility, and ethics; the intellectual history of dance based on contemporaneous readings of Pythagoras and Plato; and a comparison of geometric dance structures to geometric order in Humanist architecture.

Author Bio

Jennifer Nevile has a Ph.D. in musicology from the University of New South Wales. She has published many articles in early music, history, and dance journals, including Early Music and Renaissance Quarterly. She is currently an Honorary Research Fellow in the School of Music and Music Education at UNSW.

Reviews

"Musicologist Nevile (Univ. of New South Wales) documents the place of dance in the intellectual, social, and cultural world of 15th-century Italian elites. She analyzes treatises by three maestri di ballo (dance masters)—Domenico da Piacenza, Antonio Cornazano, and Guglielmo Ebreo da Pesaro—that apply to dancing the precepts of proportion, harmony, and moderation that humanists applied to rhetoric, painting, and architecture. Treating dance as an extension of music, which was part of the traditional quadrivium, these men elevated dance both as a means of moral education and as an articulation of the geometrical rules by which the universe was ordered. In thus dignifying their field of expertise, the maestri di ballo asserted their own importance as arbiters of style. Extensive passages from secondary and primary sources document the uncontroversial observation that dance was integral to Renaissance court culture. More original is Nevile's analysis of the dance treatises: attending to Pythagorean proportions, moral edification, and social decorum, these works paralleled contemporaneous theorizing by Guarino Guarini about literary education and by Leon Battista Alberti about painting and architecture. A helpful appendix details the floor tracks and music of four balli by Domenico. Summing Up: Recommended. Upper-division undergraduates and above." —K. Gouwens, University of Connecticut , 2005oct CHOICE

". . . the presence of this publication . . . will spur the kind of additional research that will help to fill in the picture." —Timothy J. McGee, Trent University

". . . Neville highlights [dance's] . . . important role in fifteenth-century Italian society, focusing on how it embodied humanist concerns." —Sue In Kim,
DANCE CHRONICLE , Vol.32.2 2009

"
[T]his is essential reading for anyone interested in the history of theatrical dance." —Early Music

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Table of Contents

Acknowledgements
Manuscript Abbreviations
Introduction
Chapter 1: Dance and Society
Chapter 2: The Dance Treatises and Humanist Ideals
Chapter 3: Eloquent Movement - Eloquent Prose
Chapter 4: Dance and the Intellect
Chapter 5: Order and Virtue
Conclusion
Appendix 1: Transcription and translation of Florence, Biblioteca Nazionale Magl. VII 1121 f. 63r-69v by Giovanni Carsaniga
Appendix 2: The use of mensuration signs as proportion signs in the dance treatises
Appendix 3: Floor track and music of Anello, La ingrata, Pizochara and Verçeppe
Endnotes
Bibliography
Index