“ . . . the details of Saint-Martin’s argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit.” —Journal of Communication
Saint-Martin elucidates a syntax of visual language that sheds new light on nonverbal language as a form of representation and communication. She describes the evolution of this language in the visual arts as well as its multiple uses in contemporary media. The result is a completely new approach for scholars and practitioners of the visual arts eager to decode the many forms of visual communication.