Breaking Time's Arrow

Breaking Time's Arrow

Experiment and Expression in the Music of Charles Ives
Matthew McDonald
Distribution: World
Publication date: 06/16/2014
Format: Hardback 57 music exx., 5 b&w illus., 7 tables
ISBN: 978-0-253-01273-9
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Charles Ives (1874–1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives's compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives’s works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer's eclectic and complex style.

Author Bio

Matthew McDonald is Associate Professor of Music at Northeastern University.


“Matthew McDonald offers a trenchant and intellectually expansive reading of Ives's relationship to time by connecting several compositions—and indeed, the composer’s larger conceptualization of the past, present, and future—to the Emersonian concept of the 'everlasting Now'. This book is a wonderfully written, important contribution to scholarship on the music of Charles Ives.”
 — Gayle Sherwood Magee, author of Charles Ives Reconsidered

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Table of Contents

Introduction: Ives and Time
Part I: Three Dualities
1. God/Man: I Come to Thee and Psalm 14
2. Community/individual: Sonata No. 1 for Piano and String Quartet No. 2
3. Intuition/expression: "Nov. 2, 1920" and "Grantchester"
Part II: Contexts and Methodologies
4. Elements of Narrative: The Unanswered Question
5. Ives and the Now: "The Things Our Fathers Loved"
6. Cumulative Composition: Ives’s Emerson Music

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