“A forthright and uncompromising account of Africa’s hostility toward modernity and how it has impeded economic development and social and political transformation. This is a bold exhortation for Africa to come into the 21st century.”

“Whoever thinks he knows the problem of Africa had better read this book. Whoever feels there is no known solution that can apply should read this book first; but whoever wishes to remain unperturbed about the African predicament had better not read this book. This book almost certainly will challenge any mind. The author has evidently written down thoughts that cost him his sleep for many years now. ”
 — African Studies Quarterly

“Táiwò’s firm and fierce argument is timely because it unapologetically prompts questions. . .45.4 Winter 2014”
 — Research in AFRICAN LITERATURES

“This book is a brave and boisterous attempt to challenge Africa to follow a clear-cut development trajectory in the face of its disappointing performance in the development arena in the post-colonial period. Taiwo provides an interesting analysis of modernity as the key to attaining Africa's development. The author's bold declarations on Africa's development trajectory make the book exceedingly readable, and place Taiwo amongst the ranks of other African development trajectory scholars like Sabelo Ndlovu and Moeletsi Mbeki.”
 — African Affairs

“This is a little book with very big and controversial ideas. It draws a bold, clear line in the sand. African scholars everywhere on the continent will acutely recognize themselves and their condition of work in this. They cannot disagree with the truth of this book, but only with how too fearfully truthful it is.”
 — Tejumola Olaniyan, author of Arrest the Music: Fela and His Rebel Art and Politics

“At a time when many informed and highly placed economists, political scientists, historians, and other professionals (most of them foreigners) with stakes and expertise in African affairs appear to be locked in a futile game of breast-beating about what is wrong with the African continent, it is both a relief and a matter of gratitude to hear an African make a remorseless case such as the one in this book.”
 — Akin Adesokan, author of Postcolonial Artists of Global Aesthetics