“Hip Hop Africa explores a new generation of African performers and musicians who are not only consumers of global music but also active participants in the worldwide culture of hip hop and rap. ”

“Impressively details hip hop’s evolution throughout Africa . . . [and] presents important arguments in African hip hop scholarship, including discussions on African hip hop’s linkages with US hip hop, and debates over authenticity and imitation. . . . . The authors in the volume provide extensive background information on hip hop’s evolution throughout Africa . . . much of the volume’s strength lies in its examination of local hip hop scenes . . . a good look urban music in Africa . . . a solid contribution to scholarship on African hip hop.2013”
 — African Studies Quarterly

“[Eric Charry] has assembled remarkable essays by experts who offer deep historical and cultural connections showing how Africans shape rap to fit their local circumstances.”
 — Africa Today

“Readers with interests in African hip hop and urban youth cultures will find this book indispensable.”
 — African Studies Review

“[R]eaders interested in contemporary African culture, hip-hop, world music, globalization, and youth cultural identities in the twenty-first century should find Charry’s Hip Hop Africa to be a useful addition to their libraries. ”
 — Black Camera

“Hip Hop Africa is a welcome addition to the literature on popular culture and music in Africa.”
 — Journal of African Cultural Studies

“Hip Hop Africa is recommended for scholars and students with an interest in contemporary African popular culture and urbanism. Given the breadth of its content, it will be a particularly useful resource for graduate and undergraduate courses on global hip hop, African popular music, and urban African culture.”
 — Research in African Literatures