“From lesbian vampires to cannibal zombies, this remarkable book charts the rise and fall of the European horror film, and most significantly its rediscovery by Western fans and critics in the 21st century. In a style both sophisticated and lucid, Olney examines key films and filmmakers within their national and international contexts. Guaranteed to send scholars and fans running back to their DVD outlets, either to discover or revisit some of the oddest and most provocative horror films of all time.”
 — Harry M. Benshoff, author of Monsters in the Closet: Homosexuality and the Horror Film

“Olney takes on a cinema that, much like the monsters it features, keeps coming back no matter how often you kill it. His welcome study traces the emergence, disappearance, and return of Euro-Horror within US culture since the fifties, its revilers and devotees, its subversive potential, and its echoes in the work of filmmakers like Haneke, von Trier, or Almódovar. In the process, Olney explodes the last of our treasured binaries: art vs. schlock, 'real' vs. fan scholar, hack vs. auteur, progressive vs. regressive movie. ”
 — Linda Schulte-Sasse, Macalester College

“Ian Olney’s new book takes us on a journey into the dark world of European horror cinema. He offers up fascinating analyses of individual Eurohorror films while also, more provocatively, arguing for the value of Eurohorror generally to a contemporary politics of identity. Not everyone will agree with what Olney has to say, but his approach is always thoughtful and accessible and it demands our attention. This is an important contribution to the literature on horror cinema.”
 — Peter Hutchings, author of The Historical Dictionary of Horror Cinema

“Gorier, sexier, and stranger than most horror of the time, Olney explores popular "Euro Horror" to explain its renewed appeal to hardcore fans and audiences today.”

“Olney does a superb job tracking modern European horror films from Italy, Spain and France, in a style that is at once academically rigorous and at the same time absolutely accessible; in short, this is a theoretical text that doesn’t drown itself in artificial systematizing or outdated jargon. Instead, this is a lively, informed, authoritative text on a group of films that have become increasingly influential in horror filmmaking in the United States.”
 — Frame by Frame

“Olney’s wide knowledge and fresh perspective on Euro horror is authoritative and interesting. He complicates conventional views on genre films as well as film criticism in general. This book does film studies a great service in itsvserious consideration of the art and reception of Euro horror, and offers readers much to think about, and explores numerous films that are clearly worthy of further study.”
 — Quarterly Review of Film and Video