“Leigh H. Edwards takes a close look at Dolly Parton’s songwriting, recordings, acting, and public persona and convincingly demonstrates that Parton is not only a powerful Appalachian musician but also a remarkably engaged artist who uses her many talents to engage with issues of gender, sexuality, and class.”
 — Travis D. Stimeling, author of Cosmic Cowboys and New Hicks

“Leigh H. Edwards's tremendous book brings our understanding of Dolly Parton's career and significance to a new level. Anyone who wants to understand Parton's contributions, not just to country music, but to American culture in general, should read Dolly Parton, Gender, and Country Music.”
 — Kristine M. McCusker, author of Lonesome Cowgirls and Honky Tonk Angels

“In this compelling analysis, Leigh Edwards shows us how Dolly Parton, the masterful manipulator of media images and country authenticity, artistically melds elements from her biography with fantasies of success into a career that spans decades, crosses genres, and inspires millions of fans. Read this book to learn how Parton manages to be simultaneously fake and real, ordinary and extraordinary, normal and outrageous. A model of interdisciplinary scholarship.”
 — Barry Shank, author of , The Political Force of Musical Beauty

“A stellar exploration of how Parton deftly balanced traditional country aesthetics with her willingness to rebel against those same trappings by completely owning her image and how she performed her femininity. Thanks to thorough research that digs into Parton’s personal statements across her autobiography, social media outlets, and interviews in a variety of mediums, the reader is presented with a woman completely in control of who she is, her art, and how people interact with her.”
 — Adam P. Newton, BeardedGentlemenMusic.com